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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041530596-J35IZYX0QQ7YVITO9JWU/IMG_3852.jpg</image:loc>
      <image:title>LM/LC Course Leaders - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041530606-50G8WGGKHK1BBPW4P1OJ/IMG_3283.jpg</image:loc>
      <image:title>LM/LC Course Leaders - Alex McCrossin - Location Scout/Manager</image:title>
      <image:caption>With 25 years Locations Management experience Alex has scouted and managed for just about every kind of crew in just about every kind of place. Having managed for crews of 300 shooting in CBD office blocks to crews of 6 on stoney ridges near Aoraki she has amassed a wealth of experience &amp; techniques across New Zealand and Australia. Starting on her Locations path with Short Film &amp; Drama projects before woking on Large Scale Commercials, Music Videos and even documentaries has shown that the fundamental skills of Location Management of all shoots have some key preparations required... regardless of format or budget. Alex is enthusiastic about the Locations Department and their place in Productions although challenging! Good approaches mean repeat locations &amp; happy sets for local and international teams to shoot at. Alex’s credits include The Book of Revelation (2006), One of Us is Lying (2022) and One Lane Bridge (2020-) Alex will be presenting in both the Location Managers’ and the Location Co-ordinators’ Courses, outlining the processes of logistic meetings, permitting, final prep and what to watch out for on the day.</image:caption>
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    <image:image>
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      <image:title>LM/LC Course Leaders - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041530623-GYACYYMG5NJO9WVBVO74/philip-turner.jpg</image:loc>
      <image:title>LM/LC Course Leaders - Philip Turner - Location Manager</image:title>
      <image:caption>Philip started his working life in Queenstown as a ski bum, thinking it was a worthwhile alternative to further education. Eventually, after a very late and short stint at university, he got a job as (an older) PA on a Japanese TVC. "It was quite different to anything I had done in the past - chaotic and interesting at the same time - and you got paid to eat the most delicious food I had ever seen outside a good restaurant (NZ film caterers are legendary)." Philip decided the locations department was for him. "In theory I would be able to utilise existing skills and take photographs, something I had loved doing as a kid. Roughly 15 years later here I am, still trying to ski, ride a bike or roam the countryside with camera in hand." Philip’s credits include Mulan (2020), Alien: Covenant (2017) and Mission: Impossible - Fallout (2018). Philip will be presenting as part of out Location Managers’ Course, discussing the importance of location lists and scouting photos, going through the differences, how to use online maps, and the importance of managing images.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041530630-1DT0JW0VRM5R7G6EQ0OR/eight_col_KayleighshaWharton.JPG</image:loc>
      <image:title>LM/LC Course Leaders - Kayleighsha Wharton - Location Manager</image:title>
      <image:caption>I have a range of experience working in the film industry over the last 10years in various departments. During this time I have crewed in technical roles, assistant directing, production, accounts, and more recently focusing on Locations. I started Location Managing NZ Features by saying 'yes' to an assistant role 5 years ago and the opportunities grew from there. Story, people, and problem solving is what I am most passionate about in the film industry. Kayleighsha’s credits include Guns Akimbo (2019), Juniper (2021) and Savage (2020). Kayleighsha will be taking part in both our Location Managers’ an d Location Co-ordinators’ Courses, giving an overview of the department with Alex, taking our participants through how to break down a scriptand discussing how to budget the locations department with Kyrie.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041530641-TCFFF91SZMO5GHNRFXUI/1627625395425.jpg</image:loc>
      <image:title>LM/LC Course Leaders - Clayton Tikao - Location Scout/Manager</image:title>
      <image:caption>Clayton has been involved in the locations department for over 20 years, working on a range of local and international projects to showcase New Zealand's amazing scenery and support the stories being told. Clayton’s credits include Adrift (2018), A Wrinkle in Time (2018) and Pork Pie (2017). Clayton will be presenting as part of our Location Managers’ Course, discussing the Location Manager’s professional relationship with the Director, DoP and Production Designer, how to balance the recces, creative input, meetings and conflict.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041530651-ARH9HZJZPX3HUNXZ6RAB/TAULUA.jpeg</image:loc>
      <image:title>LM/LC Course Leaders - Taulua Moimoi - Location Scout/Manager</image:title>
      <image:caption>Taulua has been working in locations for over 15 years, working on such projects as Sione's Wedding (2006), The New Legends of Monkey (2018-) and Step Dave (2014-15). Taulua will be presenting as part of the Location Managers’ Course, alongside Jen Butcher, discussing the preparations needed for the tech recce, dealing with department demands and creating site maps.</image:caption>
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      <image:title>LM/LC Course Leaders - Rick Waite - Location Scout/Manager</image:title>
      <image:caption>Rick has worked in the locations department for over 10 years, working on such Kiwi staples as Outrageous Fortune (2005-10), Westside (2015-20) and 800 Words (2015-18). Rick will be presenting as part of the Location Managers’ Course, speaking to our participants about the art of negotiating and consultation.</image:caption>
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      <image:title>LM/LC Course Leaders - Jared Connon - Producer</image:title>
      <image:caption>Jared Connon’s career as a filmmaker has spanned over 28 years. For the first two decades he earned a reputation as an internationally renowned Location Manager. Following this, Connon moved into Production Management before stepping up to his current position as Line Producer. Whatever the role, Connon is known for excellence in this high-profile work. Connon was Location Manager on titles such as The Lord of the Rings (trilogy), River Queen, King Kong, 10,000 BC, The Hobbit (trilogy), Ghost in the Shell and The Light Between Oceans among many others. He has Production Management credits on Mortal Engines, Mulan and Da 5 Bloods, and The Lord of the Rings (Amazon TV Series) and most recently on the Ti West directed horror films ‘X' and ‘Pearl’ for A24. Now having formed the production company FIVE FILMS based in New Zealand, he is focussed on creating engaging content for international audiences and collaborating with some of the best filmmakers in the country to bring projects he is passionate about to fruition. His hands on practical production experience and creative drive is what keeps his unique set of skills in such high demand. Jared’s credits include River Queen (2005), King Kong (2005) and Ghost in the Shell (2017), among many more. Jared will be presenting as part of the Location Managers’ Course, discussing what a producer looks for in a location manager, and providing the viewpoint from both sides.</image:caption>
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      <image:title>LM/LC Course Leaders - Kyrie MacTavish - Location Co-ordinator</image:title>
      <image:caption>With over 15 years professional broadcast experience I have gained a lot of practical production knowledge and worked on a variety of ventures from big budget feature films to no money passion projects. I have worked in several countries and enjoy working with people, negotiating, making deals, working to a deadline within a budget, being innovative and creatively solving problems. Credits include: Outlander, Ghost in the Shell, The Changeover, Mission Impossible Fallout, Daffodils, Savage, Guns Akimbo. Kyrie’s credits include Guns Akimbo (2019), Ghost in the Shell (2017) and Mission Impossible - Fallout (2018), among many more. Kyrie will be presenting in both our Location Managers’ and Location Co-ordinators’ Courses, alongside Kayleighsha Wharton, discussing creating and managing the Location Department’s budget.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041530683-F3JYUF8534X5R1QT0JIC/Nicola-headshot-768x768.jpg</image:loc>
      <image:title>LM/LC Course Leaders - Nicola Bailey - Location Co-ordinator</image:title>
      <image:caption>After graduating from The New Zealand Film School in 2016, Nicola quickly found her niche in the Locations department. She has worked on a number of feature films and TV series including “Daffodils” (2019), “Guns Akimbo” (2019) and TVNZ's “Wellington Paranormal” TV series. Most recently, Nicola Location Managed local feature productions “Cousins” (2020) and Loren Taylor’s “Going, Going” (in Post-Production). Nicola has additional experience in Production and Transport, and has produced two short projects, “One Year On” Directed by Francesca Mackenzie and “Serving” Directed by Karin McCraken. Nicola’s credits include Daffodils (2019), Guns’s Akimbo (2019) and Wellington Paranormal (2018-). Nicola will be one of our main presenters for the Location Co-ordinators’ Course, going over such things as cost reporting, PO’s, trackers, working with the Accounts department and much, much more!</image:caption>
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      <image:title>LM/LC Course Leaders - Jen Butcher - First Assistant Director</image:title>
      <image:caption>Jennifer Butcher (Jen B ) has worked in the New Zealand Screen industry since graduating from The University of Auckland with a Bachelor of Arts Degree in 1995. She has worked on television drama, commercials, documentary reconstructions, short and feature films as well as music clips and live broadcast events. She has been working as a 1st AD since 2000. Jennifer is a past Chair of the Auckland Committee of the Screen Industry Guild Aotearoa NZ, and is a past Guild National Executive Board member. Jennifer has served as an Advisory Board member to Film Auckland. She regularly guest lectures (on the art and science of Assistant Directing) for the Masters program of the University of Auckland Centre for Film, TV &amp; Media Studies, South Seas Film School, and The New Zealand Film Academy. Jen’s credits include Power Rangers (), The Gulf () and The Wilds (). Jen will be presenting in our Location Managers’ Course, along with Taulua, to discuss preparing the Tech Recce, dealing with department demands and requirements, and creating site maps.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041530699-3ERE41Z3TOU3LOQ5LQ7U/Amber+Wakefield.jpeg</image:loc>
      <image:title>LM/LC Course Leaders - Amber Wakefield - Transport Co-ordinator</image:title>
      <image:caption>With over 17 years of experience in the screen industry, Amber has wide experience in production, transport, and locations on international feature films and dramas. Specialising in large scale logistics, including national company shifts of productions throughout the regions. Amber holds a ‘Certificate of Knowledge of Law and Practices’ showing that she has the required knowledge of the laws and practices relating to the efficient and proper operation of a transport service. This certificate allows Productions to meet their legal requirement of obtaining their Transport Service Licence (TSL). Amber has frequently crossed over between both location and transport coordinating, managing key portfolios such as: budgets, permitting, company shifts, swing drivers, waste disposal, location maps, etc. This crossover has given Amber an extended understanding on the importance of the intertwined relationship between the locations, unit and transport departments. Amber’s history in production management and coordination has provided her with a holistic view of the inner workings of productions. Using this comprehension as a tool to know what/where key areas of information are, and where they need to be communicated for the smooth and successful running of a project. Amber is also the Executive Officer of the New Zealand Cinematographers Society (NZCS) and Executive Officer of Film Auckland Inc. (FAI). Her wide knowledge of the industry and extensive network means she is ideally placed to help pass on her industry knowledge. Amber’s credits include Pete’s Dragon (2016), The Brokenwood Mysteries (2016-17) and Spartacus: Blood and Sand (2013), among many more. Amber will be presenting in both our Location Managers’ and Location Co-ordinators’ Courses, along with David and Reg, to discuss the working relationship of the Unit, Transport and Locations Departments.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041530706-GV78GTR1BAW8MSCXP946/David+Sa%27ena.jpeg</image:loc>
      <image:title>LM/LC Course Leaders - David Sa’ena - Unit Manager</image:title>
      <image:caption>Talofa lava! I have been in the film industry as a Unit &amp; Craft Services Manager for over 20 years now. My role has always been to ensure that everyone, both on and off set are well taken care of… ask anybody! I bring with me exceptional Unit &amp; Craft Services management skills and a team that has real passion and talent for looking after Crew, Cast and Production. David’s credits include Mulan (2020), Daffodils (2019) and A Wrinkle in Time (2018), among many more. David will be presenting in both out Location Managers’ and Location Co-ordinators’ Courses with Amber and Reg, to discuss the working relationship of the Unit, Transport and Locations Departments.</image:caption>
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      <image:title>LM/LC Course Leaders - Reg Gibson - Transport Captain/Manager</image:title>
      <image:caption>Reg has almost 30 years’ experience in the New Zealand Film Industry.  Working mostly in the Transport Dept area. Reg has moved large scale productions multiple times, with very short lead times.  He has dealt with overseas productions who have little understanding of the New Zealand terrain (sometimes not even knowing that we are 2 islands!)  He is used to working closely with all departments, especially closely with the locations dept. Reg previously owned Bald Eagle Supplies Ltd and currently owns Orini Park Ltd, both supply various vehicles to the film industry.  Reg’s son is currently working as a Transport Manager on a large film production and his Grandson is also working in the Transport dept. Reg’s credits include Pete’s Dragon (2016), Yogi Bear (2010) and The Water Horse (2007), among many others. Reg will be presenting in both our Location Managers’ and Location Coordinators’ Courses, alongside Amber and David, to discuss the working relationship between the Unit, Transport and Locations Departments.</image:caption>
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      <image:title>LM/LC Course Leaders - Wayne Allen - Health and Safety Officer</image:title>
      <image:caption>A former ski patroller of 13 years at the Remarkables, Wayne Allen has also worked on reducing hazards for adventure racers in the Southern Traverse. Now, his day job involves working as a safety adviser for film and television crews, a varied job which can see him encounter everything from cars racing down mountains advertising tyres to horses crossing a river. Wayne will be presenting on both our Location Manager and our Location Co-ordinator Course, discussing liaising with the Health and Safety Department, and the impacts that COVID has had on running a set. Wayne’s credits include Top of the Lake (2011), The Hobbit (2010) and Wolverine (2009), among many more.</image:caption>
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      <image:title>LM/LC Course Leaders - Emma Slade - Producer/Line Producer</image:title>
      <image:caption>Emma is in post-production on her next feature NUDE TUESDAY, a NZ/Aust co-production, starring Jackie van Beek (The Breaker Upperers) and Damon Herriman (Judy and Punch). Her recent film, THE JUSTICE OF BUNNY KING starring Essie Davis (The Babadook) and Thomasin McKenzie (Leave No Trace), is currently undergoing it’s theatrical run. Her film COME TO DADDY, an NZ/Irish/Canadian official co-production premiered earlier this year at Tribeca, which also won best director (Ant Timpson) and actor (Elijah Wood) in Toronto After Dark Festival 2019.  She has just commenced shooting her blue-chip documentary feature with David Farrier (Dark Tourist, Tickled). In 2017, her young adult thriller THE CHANGEOVER starring Timothy Spall (Mr Turner) and Melanie Lynskey (The Intervention), was in competition at the Alice Nella Citta.  Earlier that year, INTO THE RAINBOW was the first Chinese/NZ co-production, starring Willow Shields (Hunger Games) and the Brazilian/NZ feature LITTLE SECRET, which was nominated as Brazil’s Oscar entry for Best Foreign Film 2017. Other titles include the Netflix original LETTER FOR THE KING, RAGE, the UK/NZ co-production TRACKER, SEPARATION CITY and BRIDE FLIGHT.  Emma is also a founding member of the Screen Women’s Action Group (SWAG), which began in January 2018 as a local response to the international movements #metoo and TimesUp.  SWAG was driven by their belief that more could be done to address sexual harassment, discrimination and power imbalances in New Zealand’s own screen culture.</image:caption>
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      <image:caption>Participants from the Share the Knowledge Production Manger Course 2022 - Tauranga Moana</image:caption>
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      <image:caption>Participants from the Share the Knowledge Production Sound Course December 2022 at Images and Sound’s Post Production Sound Facility</image:caption>
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      <image:caption>Participants from the Share The Knowledge: Co-ordinator’s Course 2021 - Christchurch Leg</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Remote Head Course Leaders - Tony Keddy</image:title>
      <image:caption>Key Grip Managing director - grip hq</image:caption>
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      <image:caption>Remote head tech</image:caption>
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      <image:title>Remote Head Course Leaders - Rajiv Raj</image:title>
      <image:caption>Remote Head tech</image:caption>
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      <image:title>Course Experts - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041556646-RKWECSSDCJ98EOO5YN85/PP+Season+4+Banner.png</image:loc>
      <image:title>Practical Producing Series Info - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041556653-U7L0J32NVVKK6DK1TE1U/EmmaSlade2123+b%26w.jpg</image:loc>
      <image:title>Practical Producing Series Info - Emma Slade</image:title>
      <image:caption>Emma Slade’s most recent project is David Farrier’s (Dark Tourist, Tickled) feature documentary MISTER ORGAN, premiering at Fantastic Festival 2022. She is currently in production on ONE WINTER starring Julian Dennison, Minnie Driver and Rhys Darby and her most recent theatrical release is the absurd comedy, NUDE TUESDAY, from director Armagan Ballantyne which premiered at the Sydney Film Festival and was also selected for Tribeca and Edinburgh. THE JUSTICE OF BUNNY KING had its world premiere at the 2021 Tribeca Film Festival. Recently, Slade produced COME TO DADDY, an NZ/Irish/Canadian official co-production, which premiered at Tribeca 2019 and after premiering at numerous festivals was released world-wide in 2020. The project won best director (Ant Timpson) and actor (Elijah Wood) at the Toronto After Dark Festival 2019. In 2017, her young adult thriller THE CHANGEOVER starring Timothy Spall (Mr Turner) and Melanie Lynskey (The Intervention), was in competition at the Alice Nella Citta, Venice Film Festival. Earlier that year, Slade produced INTO THE RAINBOW, which was the first Chinese/NZ co-production, starring Willow Shields (Hunger Games) and the Brazilian/NZ feature LITTLE SECRET, which was nominated as Brazil’s Oscar entry for Best Foreign Film 2017.</image:caption>
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      <image:title>Practical Producing Series Info - Victoria Dabbs</image:title>
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      <image:title>Practical Producing Series Info - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Co-ordinator Course Leaders</image:title>
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      <image:title>Co-ordinator Course Leaders - Bonnie Blake - Head Course Leader</image:title>
      <image:caption>Bonnie Blake (Te Whanau a Apanui) has been working in the film &amp; television industry for the past 12 years, predominantly in the Production Department. She has experience in roles from Runner through to Production Manager on local and international Productions.  Her Production Coordinator credits include Mission Impossible: 6, The Shannara Chronicles, and Slow West.   Aside from Production, Bonnie has experience in both on and off set roles across the Accounts, Assistant Directing, Transport, and VFX Departments. She has completed vocational training in Drama Production Management at the Australian Film, Television &amp; Radio School in Sydney, and undertaken a Unit Production Management Internship on The Meg, and Mulan.  Bonnie was also selected to attend the Share The Knowledge: Line Producer Training Course in 2020.  Having benefited from various initiatives for industry training, she is excited to help deliver the Coordinator Training Course and up-skill others in the industry.</image:caption>
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      <image:title>Co-ordinator Course Leaders</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041560884-RUK22CLPJBTLRL7XPVEY/Headshot.jpeg</image:loc>
      <image:title>Co-ordinator Course Leaders - Chantelle Burgoyne</image:title>
      <image:caption>Chantelle is an Auckland-based filmmaker of Samoan, Tongan and European heritage with a first-class MA in Screen Production specialising in directing drama from the University of Auckland. Since graduating, when not working on her own projects Chantelle has worked as a contractor in the NZ film industry having worked for the NZ Film Commission as the Fresh Shorts Assistant before working on various locally made Hollywood film and television projects as a production secretary, assistant production coordinator, script coordinator, cast coordinator and producer’s assistant. Most notably, Chantelle was the executive assistant to Barrie Osborne ONZM on Warner Brother’s The Meg and the cast and script Coordinator on Disney’s live-action Mulan. Her recent production credits include working as an assistant production coordinator on Netflix’s Cowboy Bebop and as the assistant to producers Donald de Line and Eddie Rubin on Amazon’s upcoming feature Don’t Make Me Go.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041560893-LPAL8U1RSCCZTN181ZV2/download.jpeg</image:loc>
      <image:title>Co-ordinator Course Leaders - Kyrie MacTavish</image:title>
      <image:caption>With over 17 years professional broadcast experience I have gained a lot of practical production knowledge and worked on a variety of ventures from big budget feature films to no money passion projects. I have worked in several countries and enjoy working with people, negotiating, making deals, working to a deadline within a budget, being innovative and creatively solving problems. Credits include Fantasy Island (2019), Guns Akimbo (2019), Mission Impossible - Fallout (2018), Ghost in the Shell (2017), Savage (2018), Daffodils (2018) among many more.</image:caption>
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      <image:title>Co-ordinator Course Leaders - Rebecca Rowe</image:title>
      <image:caption>Rebecca’s industry experience spans over 18 years in several departments, Production, Post Production, Casting, Publicity, Script Coordinating, Assistant Directing &amp; Art Department. Her work in the Casting and Extra’s departments include local projects such as Wellington Paranormal &amp; The Rehearsal to International productions; Spartacus, MI6 &amp; The Power of the Dog to name a few. Rebecca was also selected for the “Share The Knowledge” Line Producing Workshop in 2020 and more recently the A to Z Screen Publicity Workshop both held in Auckland.  Since returning to her hometown Ōtepoti in 2019 Rebecca has consulted for the DCC around crew capacity, begun writing the Regional column for the NZTecho Guild &amp; become a new trustee for Film Otago Southland.</image:caption>
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      <image:title>Co-ordinator Course Leaders - Amanda Fityus</image:title>
      <image:caption>I am Freelance Stylist &amp; Costume Coordinator for TV, Film &amp; Editorial Industry, always looking for my next job to create exciting, eye-catching and interesting images for your next publication, commercial, or TV series. I have over 20 years experience of styling in the film &amp; TV industry. Styled and sourced clothing for celebrities, actors, supervised costume departments, handled budgets, worked closely with directors &amp; producers, clients and worked some pretty long hours. Started as Costume standby moving into off set positions - Buyer, Costume Design, Design Assist and Supervisor/Coordinator. Worked on NZ productions as well as Line Production and Co Pro.Multi skilled within the Costume Team. I have worked on a big range of commercials that range from Air New Zealand commercials to Vodafone commercials for Qatar in the Middle East. I have worked on numerous TV shows, including Shortland Street, Jackson’s Wharf, Young Hercules, Amazing Extraordinary Friends, One Land, Politically Incorrect Guide to Teenagers, First Crossings, Spartacus, Agent Anna, Step Dave &amp; Filthy Rich.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041560915-IX58K8FYKR5RTG63IOOE/Janelle%2BHope.jpg</image:loc>
      <image:title>Co-ordinator Course Leaders - Janelle Hope</image:title>
      <image:caption>After graduating from Massey University in 1996 with an Arts degree majoring in Psychology and Education, Janelle travelled extensively overseas, eventually landing as a bright-eyed enthusiastic 24-year-old in Melbourne. Here she tirelessly networked her way onto a local television production as an Art Department Runner, where she began to learn the ropes of fast turnaround television. While in Melbourne, Janelle noticed a shortage of experienced Art Coordinators both in New Zealand and Australia. She decided to hone in on this niche area by consolidating her previous office management experience with her newly gained film &amp; tv experience forge a 22-year career in Art Department Coordinating. Janelle has worked extensively in New Zealand, Australia, and Fiji on large scale international studio feature films, streaming television series, local independent movies, and network television. During this time, she has immersed herself in other roles such as Art Department Manager, Art Department Estimator, Costume Supervisor, Travel and Accommodation Coordinator, SPFX Coordinator and Cast Coordinator. Janelle loves the fast-paced, ever-changing nature of the industry as well as the like-minded people involved. The creative diversity and project-based nature of the industry have kept her on her toes. No two jobs are ever the same, which is what makes this career captivating and exciting!</image:caption>
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      <image:title>Co-ordinator Course Leaders - Rosie Smith</image:title>
      <image:caption>Rosie Smith has been involved in the film and television screen sector, both abroad and in NZ, for over 15 years. Production has always been her passion and where she is best suited. She has worked her way through from Production Assistant to Line Producer, and happily still works across a variety of roles in the Production Department. Gaining experience in factual, drama, episodic and feature, credits include multiple series of Gold Rush for Discovery Channel, The Shannara Chronicles, A Wrinkle in Time, Power Rangers, Nude Tuesday and Evil Dead Rise. “I love with Production that you can be across the whole project and have input and communication with all Departments. The Production Coordinator role is so integral to the department. You are the leader for those below you, and the support for those above. You make the wheels turn!” Rosie is now based in Hawke’s Bay after relocating from Auckland, and is a volunteer on the board of The Eastern Screen Alliance – an organisation which aims to promote the region as a screen production destination and provide infrastructure for productions to be filmed in Hawke’s Bay.</image:caption>
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      <image:title>Co-ordinator Course Leaders - Angela Cudd</image:title>
      <image:caption>Angela (Ngāti Porou, Ngātiwai, Te Whānau-ā-Apanui) is a hard-working Māori/Kiwi Producer, who made her foray into Film &amp; TV in 2013. With 6+ years’ experience in production, her credits include local content like The Breaker Upperers, Cousins, Maui’s Hook and Māori TV’s award-winning ANZAC Broadcast. Angela is proud to have built a career by supporting local, socially important stories like these that hold meaning and have strong distinctly Kiwi or Māori content.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041560944-0EJAMKB20NC1O6CRCSLJ/EmmaSlade2123+b%26w_med+res.jpg</image:loc>
      <image:title>Co-ordinator Course Leaders - Emma Slade - Producer/Line Producer</image:title>
      <image:caption>Emma is in post-production on her next feature NUDE TUESDAY, a NZ/Aust co-production, starring Jackie van Beek (The Breaker Upperers) and Damon Herriman (Judy and Punch). Her recent film, THE JUSTICE OF BUNNY KING starring Essie Davis (The Babadook) and Thomasin McKenzie (Leave No Trace), is currently undergoing it’s theatrical run. Her film COME TO DADDY, an NZ/Irish/Canadian official co-production premiered earlier this year at Tribeca, which also won best director (Ant Timpson) and actor (Elijah Wood) in Toronto After Dark Festival 2019.  She has just commenced shooting her blue-chip documentary feature with David Farrier (Dark Tourist, Tickled). In 2017, her young adult thriller THE CHANGEOVER starring Timothy Spall (Mr Turner) and Melanie Lynskey (The Intervention), was in competition at the Alice Nella Citta.  Earlier that year, INTO THE RAINBOW was the first Chinese/NZ co-production, starring Willow Shields (Hunger Games) and the Brazilian/NZ feature LITTLE SECRET, which was nominated as Brazil’s Oscar entry for Best Foreign Film 2017. Other titles include the Netflix original LETTER FOR THE KING, RAGE, the UK/NZ co-production TRACKER, SEPARATION CITY and BRIDE FLIGHT.  Emma is also a founding member of the Screen Women’s Action Group (SWAG), which began in January 2018 as a local response to the international movements #metoo and TimesUp.  SWAG was driven by their belief that more could be done to address sexual harassment, discrimination and power imbalances in New Zealand’s own screen culture.</image:caption>
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      <image:title>Co-ordinator Course Leaders - Victoria Dabbs - International Line Producer</image:title>
      <image:caption>Victoria started her production career working on a children’s TV series as a production assistant. She continued to work her way up through the production team to co-ordinate and production manage productions such as Nicolas Winding Refn’s ‘Valhalla Rising’, Peter Mullan’s ‘Neds’ and most recently the BBC’s ‘ABC Murders’ and ‘The Singapore Grip’. From 2012 Victoria has been line producing primarily independent feature films which include Dexter Fletcher’s ‘Sunshine on Leith’, Terence Davies’ ‘Sunset Song’, and in New Zealand Stuart McKenzie and Miranda Harcourt’s ‘The Changeover’ and David Stubbs’ ‘Daffodils’. Over the years Victoria has worked internationally across Europe, Asia and Australasia She has worked with various tax credit schemes and is a Screen Production Grant consultant for the NZ Film Commission as well as experienced in cast and crew contracting, including PACT/Equity in the UK, SAG in the US and the Blue book and SPADA/Equity Agreement.</image:caption>
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    <lastmod>2026-03-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566447-08MFFLT5G80Q3GBNWSFP/vickypope+cv+photo.jpeg</image:loc>
      <image:title>Course Experts - Vicky Pope - Producer, Pop Film Ltd.</image:title>
      <image:caption>Vicky is an award-winning producer with over 20 years experience working across film, television and advertising. Her short and feature film productions have sold around the world and screened in prestigious international festivals including Cannes, London BFI, Venice and Berlin.  Vicky’s feature film producing credits include the critically acclaimed theatrical documentary Trouble is My Business as well as NZ comedy Two Little Boys starring Bret McKenzie (Flight of the Conchords) that premiered at Berlinale 2012. In 2013 Vicky produced and distributed NZ independent documentary Gardening with Soul. The film was a local smash hit winning Best Documentary at the 2013 NZ Film Awards, becoming one of the highest grossing NZ documentaries at the local box office at the time.  Vicky’s most recent production is Sam Kelly’s debut feature film Savage that premiered at Busan and London BFI Film Festivals in 2019 and has been sold around the world by Film Constellation (UK). Savage was released in NZ in Sept 2020, grossing over $1.5M at the NZ Box office, placing it in the top 20 NZ releases of all time. Alongside her film work, has produced a number of digital media projects funded by NZ On Air Digital Media Fund, including the transmedia project for NZ kids Wild Eyes, and the interactive documentary Conversations with Young Mums, produced in partnership with NZ integrated media company NZME and the NZ Herald.  Vicky is a two-time recipient of slate funding from the NZ Film Commission via their highly contested Boost programme. She is currently in development with a number of film and television projects with the support of the NZ Film Commission including Went Up the Hill in partnership with Causeway Films (Australia) and NZ drama series The ARK in development with SKY TV NZ and NZ On Air.  Vicky will be presenting in our Case Study session, speaking to her experience of distributing her project, SAVAGE.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566455-EQE284T1L0XEOEHJH2OE/Veronica+Fury+Headshot.jpg</image:loc>
      <image:title>Course Experts - Veronica Fury - Producer, WildBear Entertainment</image:title>
      <image:caption>Veronica Fury is an Executive Producer, Producer and Principal of WildBear Entertainment with over 65 commissioned television series and feature documentaries to her name. Some of her prominent feature credits include the AACTA nominated biopic Brock: Over the Top, released by Universal Pictures, Iron Fists and Kung Fu Kicks, commissioned by Netflix, and the upcoming feature documentary, Hating Peter Tatchell, executive produced by Elton John. Veronica’s recent television credits include the ongoing series Scottish Vets Down Under, commissioned by BBC Scotland as well as Aussie Mega Mechanics and Demolition Down Under for Discovery and Network 10. From ABC to ZDF - Veronica works with a broad range of major domestic and international television broadcasters and distributors.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566464-8QQOKR20BRNH4EWWNTJQ/Catherine+Fitzgerald.jpg</image:loc>
      <image:title>Course Experts - Catherine Fitzgerald - Producer, Blueskin Films</image:title>
      <image:caption>Catherine Fitzgerald, ONZM, founded Blueskin Films in 2002. The latest film, thriller, Coming Home in the Dark (dir James Ashcroft) premièred in the Midnight Section, Sundance 2021. Punch (dir Welby Ings) shot in New Zealand November - December 2020 is in post-production, as is Returning Home, a Chinese/NZ feature documentary. Blueskin Films has produced the acclaimed One Thousand Ropes, The Orator (both NZ’s nominees for Best for Foreign Film) and Bellbird amongst its extensive international award-winning slate of features, shorts and documentaries which have featured worldwide, including the Berlinale, Venice, Cannes, Sundance, Toronto Film Festivals and the Academy Awards. Catherine has a record of films by women, Māori and Polynesian and other under-represented voices.  Recent releases include Bellbird and Helen Kelly. Short The Meek and Coming Home in the Dark will be hitting the screens in 2021. She also Chairs the NZ Film Festival Trust and Playmarket, is a founding Trust member of the Screen Women’s Action Group and has consulted for the Berlinale for the NATIVe strand, and served on Generation, NETPAC and Adelaide Festival Juries.  Her other governance roles include the founding Chair of WIFT NZ, NZ Film Commission Board, the Board of the Dunedin College of Education, and SPADA among others. Catherine will be presenting in our Case Study session, speaking to her experience of distributing her project, Bellbird.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566473-IYBEHSKICIHB5PQUDA88/Paul+Wiegard+headshot+2020.jpg</image:loc>
      <image:title>Course Experts - Paul Wiegard - CoFounder &amp; CEO - Madman Entertainment Party Ltd.</image:title>
      <image:caption>B.Sc, B.Arts, Master (M.SAB)  Current roles CoFounder &amp; CEO – Madman Entertainment Pty Ltd President - Australian Independent Distributors Association (AIDA),  2015 - current   Board Member - Australian Centre Moving Image (ACMI),  2017 – current   Vice-President - Aust. Home Entertainment Distributors Association (AHEDA) – 10+ years Board Member - Australian International Documentary Conference (AIDC) Industry experience / awards Distributed ( Australia &amp; NZ ) x 5 Oscar Winning Feature Documentaries, 1 x Best Film Executive Produced - 20+ Feature &amp; Documentaries films.  3 x Winner - AACTA Award Best Film Ernst &amp; Young Entrepreneur of the Year Award (2004) - Australia Established DocPlay – Dedicated documentary streaming VoD platform Founder of Production companies Third Man Films Pty Ltd, Madman Production Company Pty Ltd About Madman Madman is a leading independent film and television distribution and rights management company, with offices in Australia, New Zealand &amp; Berlin. Home to more than 80 employees across all divisions, including theatrical sales, marketing, publicity, digital aggregation and agency distribution. Madman is renowned for its commitment to quality Australian,NZ, Documentary and foreign film. Madman owned subsidiaries including DocPlay - a curated Documentary streaming platform &amp; Garage Movies for Adventure. www.madmanfilms.com Paul will be presenting in our Distribution session, working with participants to workshop their distribution plans.</image:caption>
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      <image:title>Course Experts - Bill McDermid - General Manager Film, EVENT Cinemas</image:title>
      <image:caption>Bill McDermid - General Manager Film at Event Cinemas, with over thirty years experience in film exhibition and distribution across Australia and New Zealand. A curator of film events, master of programming and scheduling, Bill has spent the last twenty years overseeing film &amp; content for Australasia’s leading cinema chain with over 75 locations and 450 screens.  Working as part of the team which launched premium cinema brands Gold Class, Vmax and the exciting new Boutique cinema experience.  Bill has forged strong partnerships with Studios &amp; Film Distributors, working alongside them to bring their films to the big screen. Bill has a wealth of experience with locally made content across both countries and will often deal directly with film makers.  Bill has seen over 4000 movies throughout his career and his favourite films include Jerry Maguire, What We Do In The Shadows and Anchorman.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566492-KCOCLLCYS906W4TWOPCF/Mark+Gooder.jpg</image:loc>
      <image:title>Course Experts - Mark Gooder - Co-President, Cornerstone Films</image:title>
      <image:caption>Mark Gooder is a NZ native who began his film career in Australia and New Zealand over 25 years ago. He established Icon Distribution in Sydney in 2000 for Academy-Award winning Producer/Director and Actor Mel Gibson and his producing partner Bruce Davey and re-located to Los Angeles in 2006 to oversee the successful Icon group of companies including an international sales arm, UK and Australian distribution and the Icon Productions banner (‘THE PASSION OF THE CHRIST’). In 2012 he became President of Acquisitions for The Weinstein Company. In 2015 he established the international sales company Cornerstone Films with business partner and former Focus Feature’s International President, Alison Thompson. The company is in Santa Monica and London. Cornerstone works with Producers to help develop, finance, and sell films and episodic content to the domestic and international marketplace. German TV and Film Production company, X Filme ( ‘BABYLON BERLIN’, ‘THE QUEEN’S GAMBIT’) are a minority shareholder in Cornerstone through their parent company Beta, one of the world’s leading international distributors of TV license rights. Cornerstone most recently became a shareholder in The Reset Collective, a new Australasian content distribution and production company based in Sydney. Mark has overseen the territorial acquisition and release of over 250 of the leading independent films of all time including GOSFORD PARK, BEND IT LIKE BECKHAM, THE QUEEN, AMELIE, THE BLAIR WITCH PROJECT, PARANORMAL ACTIVITY, PRECIOUS, ONCE, LA VIE EN ROSE, IN BRUGES, FAR FROM HEAVEN, THE IRON LADY, PHILOMENA, PADDINGTON, FRUITVALE STATION and Academy Award ‘Best Film’ winners  CRASH, 12 YEARS A SLAVE and SLUMDOG MILLIONAIRE. Mark will be presenting in our Sales Strategy session, working with participants to workshop their distribution plans.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566502-T7I72JCWDQT6I2X8YASE/RichardFletcher-FEB2019-4.jpg</image:loc>
      <image:title>Course Experts - Richard Fletcher - Managing Director, Libertine Pictures</image:title>
      <image:caption>Richard is the Managing Director of New Zealand based production company Libertine Pictures. With more than 20 years’ experience in international film and television production he has produced and executive produced a range of feature films, documentaries and TV series, including Mystic, Under the Vines, The Letter for the King, Rhys Darby: Big in Japan, The Legend of Baron To’a, Griff’s Great Kiwi Road Trip, Daffodils, Yellow is Forbidden, Belief: The Possession of Janet Moses, Walking with Dinosaurs 3D, The Last Ocean, Boy, Under the Mountain and River Queen. His productions have played at major international festivals including Berlin, Busan, Melbourne, Shanghai, Sundance, SXSW, Toronto and Tribeca film festivals and he has worked with a range of partners including the ABC, Acorn TV, BBC, CBBC, Disney, ITV, National Geographic, Netflix, Network Seven, Network Ten, Sky, TVNZ and Twentieth Century Fox.   Richard previously worked at the New Zealand Film Commission as Head of Business Affairs and in distribution in Australia for Beyond Films and in the UK for the Feature Film Company.   He has extensive domestic and international relationships across all sectors of the screen production industry. He has practical experience of film and television drama and factual production, financing and distribution in multiple jurisdictions. In addition, Richard has considerable experience in successfully managing the requirements of government funders, private investors, broadcasters and distributors.  He is Co-President of the New Zealand producer’s association (SPADA) and is a former member of the New Zealand Film Commission NZSPG Certifying Panel. In 2009, he was the recipient of the SPADA Independent Producer of the Year award and in 2017 he received the SPADA/Data Book/SCREENZ Industry Champion award.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566510-QD9Q4CT31YFS5EGDDB8T/Mark+Chamberlain+-+Transmission.jpg</image:loc>
      <image:title>Course Experts - Mark Chamberlain – General Manager, Transmission Films NZ</image:title>
      <image:caption>Mark has spent some 27 years in the film industry in New Zealand and Australia, with his expertise covering distribution and exhibition in both the mainstream and independent sectors. As Film and Content Programming Manager for major cinema chains Hoyts and Event across Australasia, Mark used his natural innovative approach to forge fresh concepts that drove the exhibition business forward. His decisive action with calculated risks saw new opportunities soar and become a boon for boosting the overall business. He pioneered the introduction of India’s “Bollywood” cinema into the mainstream during his time with Hoyts in Australia, laying the foundation for what is today, a very successful component of the overall box office. Mark’s passion for cinema has seen him excel in the distribution side of the business, where he has worked with Madman and now in his current tenure as GM of Transmission Films NZ. He strongly believes in a collaborative approach towards NZ film campaigns, putting film makers at ease with a shared vision for the end goal. Mark has overseen some powerhouse films and given strategic direction to local hits HUNT FOR THE WILDERPEOPLE / DAFFODILS / BELLBIRD / CAPITAL IN THE 21ST CENTURY and the upcoming JUNIPER releasing 2021 &amp; WHINA releasing in 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566518-8M0M24B1IW1D6HZYMNN4/Anna+Dean+Headshot.jpg</image:loc>
      <image:title>Course Experts - Anna Dean - Impact Producer, Co-Founder, Double Denim</image:title>
      <image:caption>Anna Dean is an impact producer with 15 years experience creating marketing campaigns of national significance and large scale events that get talked about for all the right reasons. She brings a creative approach to everything she does and is a trusted consultant and advisor to many on how to achieve cut-through in an increasingly overwhelming digital landscape.  She was co-director and co-founder of award-winning agency Double Denim Ltd who's work across the commercial, social good and political realms is regarded as making a huge impact in the gender and diversity space during the past five years in business. Her work on the Ace Lady Network is ongoing.  A Mainlander at heart she has lived in the capital for 20 years with stints in Berlin, India and South America and has recently relocated to Golden Bay. Anna will be presenting in out Impact Producing session, working with participants to workshop their distribution plans.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566527-RQFU33S8VM40SF2XAD1V/Courtney+Mayhew-1.jpg</image:loc>
      <image:title>Course Experts - Courtney Mayhew - Unit Publicist</image:title>
      <image:caption>Courtney has worked in the film and television industry in Australia, United States, China and at home in Aotearoa New Zealand. Starting with working at a cinema as a teenager, she then went on to spend the majority of her career in communications roles across all facets of the industry. Having worked in house for Paramount and Universal Pictures, DreamWorks, Marvel and Studiocanal, more recently Courtney’s work is between both the red carpet and the film set, and has worked with most major studios and streamers, as well as the leading independent organisations. With over 30 TV and film credits under her belt as unit publicist and behind the scenes/EPK producer, projects she has worked on in this capacity include the Ridley Scott directed Alien: Covenant, Jennifer Kent’s The Nightingale, Little Monsters with Lupita Nyong’o and Josh Gad and the Cate Blanchett created TV series Stateless. Along with on set work, under her company matter she works on film and TV releases, personal and organisational representation, social media and media training. Courtney also produced the documentary Nowhere to Be, that followed over 35 DPs across the world in April 2020 and is currently in post production. In 2018 Courtney returned home to Tāmaki Makaurau, and lives there with her girlfriend and the stray cat they took in over lockdown, Bloomfield. Courtney will be presenting in our Publicity session, working with our participants to workshop their distribution plans.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566537-7D703QKJ9YW2DAB2QYE8/Jasmin_McSweeney.jpg</image:loc>
      <image:title>Course Experts - Jasmin McSweeney – Head of Marketing, Te Tumu Whakaata Taonga New Zealand Film Commission</image:title>
      <image:caption>Jasmin is responsible for the promotion and marketing of New Zealand films and New Zealand Film Commission (NZFC), in Aotearoa New Zealand and internationally. She consults with filmmakers, international sales agents and distributors on international film festival and market placement. Within New Zealand, she assists distributors and filmmakers to identify and engage with their film’s audience through test screenings, audience research and distribution grants. Since 2005, Jasmin has been involved with the marketing and promotion of most of the films the NZFC has invested in including The World’s Fastest Indian, Boy, The Dark Horse, Chasing Great, James &amp; Isey and Cousins. Jasmin will be presenting in our Festival Strategy session, working with our participants on their festival plan to go along with their distribution plan.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041566543-1ZEICPHR89R031ZZX1EE/Hayley_Weston.jpg</image:loc>
      <image:title>Course Experts - Hayley Weston – Film Festival &amp; Marketing Executive, Te Tumu Whakaata Taonga New Zealand Film Commission</image:title>
      <image:caption>As Film Festival &amp; Marketing Executive for the New Zealand Film Commission (NZFC), Hayley looks after domestic and international film festival and cultural screenings for NZFC funded films. She works with the Head of Marketing on festival release strategy, submitting the work of short and feature filmmakers, preparing for major international showcase markets and arranging materials delivery. With over 15 years’ experience in theatrical, festival and home entertainment distribution and marketing, Hayley has previously worked with Rialto Distribution, Reading Entertainment, Roadshow Films and as a guest Short Film Competition Juror for the Melbourne International Film Festival. Hayley will be presenting in our Festival Strategy session, working with our participants on their festival plan to go along with their distribution plan.</image:caption>
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      <image:title>Course Participants - Alexander Behse</image:title>
      <image:caption>Alexander Behse was born and raised in Germany before settling in Auckland, New Zealand a little over a decade ago. After having studied a German B.A. in Media Technical Engineering, he completed an MA in Producing at University of Technology Sydney (2002) and followed up with the prestigious Masters in Euro- pean Audio-Visual Management from Media Business School in Ronda, Spain (2005). He is now one of NZ foremost feature documentary producers having achieved landmark milestones such as producer of the #3 Doc of all times at the NZ Box Office ‘POI-E: The Story of our Song’ (a Sony Pic- tures release). He produced the award winning, Hulu released feature doc ‘Kim Dotcom: Caught in the Web’ (which upon its release became #1 independent doc at the iTunes charts in the US,Canada and Germany). His latest production is NZ’s first HBOmax Original film: There is no I in Threesome. Other titles he’s produced include ‘My Year with Helen’ (Executive Producer) by Dame Gaylene Preston; the US/Canadian doc ‘Stuffed’ by Erin Derham (EP); and the festival darling Ever the Land. Prior to these landmark productions, Alexander produced programming in the art and indigious space (Allan Baldwin: In Frame; The Flight of Te Hookioi; Road to the Globe, and factual series Te Radar’s Chequered Past and the Best Factual Series winner ‘Radar across the Pacific’.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593297-SFW1WO0C2EEZQYXCCJ03/Alex+Reed1.jpg</image:loc>
      <image:title>Course Participants - Alex Reed</image:title>
      <image:caption>Alex Reed is a creative producer who works across documentary and drama. She started her career working for five years with Ken Loach on films including Land and Free- dom, My Name is Joe and Bread &amp; Roses and since then has written, researched or produced over twenty factual and drama projects commissioned in New Zealand. In 2019 Alex produced multi-award winning web series, Jessica’s Tree and returning to film she co-produced Leanne Pooley’s so- cial impact film The Girl on the Bridge and genre-bending feature, There’s No “I” in Threesome (HBO Max Original). She’s currently in post-production on David Farrier’s new feature documentary, in production on prime time television series, Unbreakable and has several co-production projects on her development slate.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593305-EERFHOTNPFKI2SRD14DC/Anahera+Headshot.png</image:loc>
      <image:title>Course Participants - Anahera Parata</image:title>
      <image:caption>Anahera joined the industry 15 years ago as a teleprompter operator for M āori Television’s reo Māori programmes and has worked her way up to be an award winning producer and director. During that time she also studied in Hawai’i majoring in Fine Arts. Anahera, who proudly states that Māori is her first language, received the Te Puoro Ataata Toa NZ On Air Best Music Video award for hip hop group SWIDT’s song Bunga which addresses New Zealand’s’ insecurities towards Pacific communities. These themes are common within Anahera’s work. In 2017 Anahera gained funding from NZOA for her own personal feature documentary which is currently in post production. She produced Stand Up Girl (drama series, 2017), Holding Court With Steven Adams (docu series, 2019), Yellow Roses (film, 2019), Line Produced &amp; Produced the international leg - The Tender Trap (tele feature, 2020), has been a fixer and local producer for various international films &amp; documentaries and currently works as a line pro- ducer for South Pacific Pictures.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593313-I6GPVQ9S7ER7HFINK5WE/Gwen-headshot1-reduced-768x768%5B1702%5D.jpg</image:loc>
      <image:title>Course Participants - Gwen Isaac</image:title>
      <image:caption>Gwen Isaac is an award-winning feature documenta- ry director with has created series IP and content for the USA and UK’s leading broadcasters. Her docu- mentary practice takes in character-led narratives, social justice issues and transnational feminism. She launched Daughter this year with producing partner, Phillida Perry, an independent screen production company that takes femme-led factual stories to in- ternational audiences. Gwen teaches screen produc- tion at Toi Rauwhārangi, Massey University’s College of Creative Arts, Wellington, Aotearoa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593322-SAW2ZI53TVZFWX06PQX9/Letisha_Bio+Pic.jpg</image:loc>
      <image:title>Course Participants - Letisha Tate-Dunning</image:title>
      <image:caption>Letisha is a creative producer with a deep understanding of narrative. Producing in both London and New Zealand for the past 7 years, she has worked on uncovering stories from the farthest corners of the globe. She has produced short documentaries internationally for the BBC and CNN and has filmed in 13 countries around the world. Locally, her work has screened on NZ Herald, Stuff, Māori Television, RNZ and more. Her and Charlotte Evans’ short documentary ‘OK Chlöe’ was selected by The New Yorker and Short of the Week, as well as a raft of film festivals. In 2018 her docu-series ‘We Speak Music’ screened at Sheffield DocFest and BFI London. She has just wrapped production on a local story for a Netflix Original international documentary series and is in development on several projects.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593327-J33HCNRGLGCE4QPETRRW/Mandi+Signature+Block.jpg</image:loc>
      <image:title>Course Participants - Mandi Lynn</image:title>
      <image:caption>Auntie Mandi? Am I Fat? This question, asked by a 5-year-old changed the trajectory of my life. Up until that point, I was a multi-award-winning master photographer running a successful photography studio that specialized in making women look “damn good”. I realized that I was culpable in creating the culture that had led to my niece’s question and I needed to make amends. Ghost Nets of Venus is my directorial debut. It is a short-form documentary that follows my journey to create an artistic counterpoint to the toxic effects of Instagram/Photoshop culture on our youth. But really I am just a side character in the film because as I was shooting it I discovered the deep layers of trauma that our mothers were battling in a sometimes futile attempt to have that trauma not spread to the next generation. My quest as a storyteller/now accidental philanthropist is to find out what can be done to stop the trauma from spreading. I do this through our charitable trust, Every Body is a Treasure Trust. Where I teach visual storytelling as a tool to develop self-compassion.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593336-7E8OCJPLWJZ4RVKN0M7N/Mhairead+Connor+headshot+2021.jpeg</image:loc>
      <image:title>Course Participants - Mhairead Connor</image:title>
      <image:caption>Mhairead Connor is an award-winning producer with credits in documentary, feature film, short film, interactive content and AR gaming. With a particular focus on speculative-fiction and folk-history her production company Little Wolf has multiple projects in development. They include sci-fi action film WEB with writer/director Christian Rivers, supernatural-horror feature BREATHE with Stephen Kang and an interactive-documentary on baby farmer MINNIE DEAN, the only woman ever executed in NZ. She lives in Wellington and loves punks, nerds and weirdos.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593343-X9O7S8E99PVY4CAS8HIJ/MS+Headshot+PORTRAIT.jpg</image:loc>
      <image:title>Course Participants - Morgan Leigh Stewart</image:title>
      <image:caption>Morgan’s first feature DEATHGASM premiered at SXSW in 2015. Later that year K Rd Stories – a se- ries about New Zealand’s most iconic street was re- leased. Morgan has also worked for screen industry organisations in Australasia including the Melbourne International Film Festival, The Australian Centre for the Moving Image, Screen Auckland, Film Auckland, 48Hours, Doc Edge, and The New Zealand Film Awards. In 2019 she attended the Berlinale Talents, and Mor- gan has been included in Script to Screen’s presti- gious FilmUp mentorship program for 2020. Recent projects through her company The Hot House include Morgan Leary’s Bird’s Eye! For Loading Docs 2019; Jodie Hillock and Yamin Tun’s short film Blood and Gold; We Rock! with Morgan Leary for Doc Edge’s Rangatahi Film Fund 2020; Rachel Ross’s Number Two and the upcoming NZFC Catalyst He Kauahi funded Green. In 2021 Morgan will produce Albularyo – an episode in TVNZ’s upcoming supernatural anthology series with Mia Maramara and Hweiling Ow. To be screened in prime time on TVNZ 2 in the first quarter of 2022. Current projects in development include Operation: RAMBU! A feature doc spawned from Rajneel Singh and Steve Austin’s 2019 Loading Doc of the same name; The Witch Doctor a supernatural crime series with Hweiling Ow and Mia Maramara; Workmates with writer Sophie Henderson, and directors Curtis Vowell and Michelle Savill; Blood and Gold – a gritty western from Jodie Hillock and Yamin Tun; and Rachel Ross’s first feature Exhale, as well as a slate of genre features with MHM Productions, and other long form projects with artists, filmmakers, and creatives from around New Zealand and the world. Morgan’s focus is on strong stories, creative collaborators, and projects that understand and respect their audiences.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593353-ZYROMR2TSJK1GL7Y8WHH/Ngaire%2BFuata.jpg</image:loc>
      <image:title>Course Participants - Ngaire Fuata</image:title>
      <image:caption>Ngaire has more than 30 years’ experience in television production and more recently film. She’s one of the founding Directors of SunPix, Producers of the Pacific Islands programme Tagata Pasifika, and the primary digital platform tpplus. Ngaire’s production experience expands across scripted factual to drama, having Produced award winning short films “Ma” and “Liliu” and co-produced Tusitala Media’s 26:29 supernatural anthology ep- isode for TV2. She was also EP on the webseries Misconceptions and Soul Sessions, and currently has three feature projects in development. Ngaire is a Pacific Music Awards Trustee and a mem- ber of the Film Auckland Board.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593362-9TFJ7EIFL3VTDH794LTC/Phillida-29.jpg</image:loc>
      <image:title>Course Participants - Phillida Perry</image:title>
      <image:caption>Phillida Perry is a writer and producer with a successful business and legal background. Phillida recently established ‘Daughter’, a production com- pany dedicated to female empowerment stories with filmmaker, Gwen Isaac. In 2020, they created award winning short film Siouxsie &amp; the Virus. Now they are developing S&amp;TV into a feature documentary with Alex Reed, lead producer. Phillida is in post-production on Kunst, a short film that celebrates 10-years of shared art experiences by an all women art buying collective. She is also completing a creative writing thesis at Waikato Uni- versity.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593370-7IWORCVA03HSJ2RSYUJD/Sam+Snedden.jpg</image:loc>
      <image:title>Course Participants - Sam Snedden</image:title>
      <image:caption>Sam Snedden graduated from Toi Whakaari in 2006. His theatre credits as an actor include Life is a Dream, Private Lives, Backstory, The Pride, The Only Child, The Book of Everything, The Blind Date Project, Perplex (Silo Theatre), Rabbit (Circa The- atre), Yours Truly, Mojo (The Basement Theatre) Guardians (Bats Theatre) and Once on Chunuk Bair (Auckland Theatre Company). His film and television credits include Shortland Street, Westside, Fresh Eggs, Legend of the Seeker, Spartacus, Golden Boy, The Educators, Inside, Baby Done, The Keeper and Six Days. He ran Auckland’s Basement Theatre from 2011- 2017, and was instrumental in transforming it from a struggling theatre to a thriving, well supported artist development hub. Since leaving the Basement he has worked with The New Zealand Comedy Trust, Te Pou Theatre, Massive Theatre Company, ONEO- NESIX, The Auckland Fringe Festival, The Big Idea and dozens of independent artists advising them on strategy and fundraising. He has worked extensively as a theatre producer and director. His directing credits include Abigail’s Party, Fix, The Opening Night Before Christmas, 28mm, Burn Her, Essays in Love, Ladies Night and the up- coming Night of the Living Dead.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041593379-N525PBP3Z5TM83BT4T7M/Ursula%2BHeadshot.jpg</image:loc>
      <image:title>Course Participants - Ursula Williams</image:title>
      <image:caption>Ursula has a knack for telling intimate stories about issues and people on the outskirts of society. As Head of Production for VICE New Zealand she pro- duced and directed a number of award-winning doc- umentaries. Her most recently released doco, De- portees of Tonga: Gangsters in Paradise, has so far been viewed by over eight million people worldwide and is currently a finalist for Best Feature Video at the 2020 Voyager Media Awards. The Zealandia se- ries at large has been picked up by networks all over the globe and viewed collectively by nearly twenty million people. Her first short documentary film, The King, won her the inaugural Bright Sunday Emerging Pasifika Di- rector Award at the 2016 Wairoa Maori Film Fes- tival, as well as taking out the Best Short Audience Award at the NZIFF and showcasing at the Sydney Film Festival in the same year. In 2020 she won Best Podcast at the Voyager Me- dia Awards (she was executive producer) for He Ka- kano Ahau. Other recent award nominations include Best News Video, Best Feature Video, Best Editorial Feature and Best Team Video at the New Zealand Voyager Awards 2019 for ‘Zealandia’. She is current- ly finishing directing two six part series with TVNZ and NZoA.</image:caption>
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      <image:title>Line Producer Course Info</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041604280-SIINKMYZ5PFZDRCDJPZO/Dunedin-Film-Black%2Blogo-01.jpeg</image:loc>
      <image:title>Line Producer Course Info</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041604241-KW030E8ZYQW7VYZ657JF/Picture%2B1.png</image:loc>
      <image:title>Line Producer Course Info</image:title>
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  </url>
  <url>
    <loc>https://www.sharetheknowledge.co.nz/fprs-course-information-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-09</lastmod>
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      <image:title>Producer Series #1 - Finance Plan &amp; Recoupment Schedule Course Information - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041606027-5ATE4UZZE0OTXX9BO6LA/DSCF2230.jpg</image:loc>
      <image:title>Producer Series #1 - Finance Plan &amp; Recoupment Schedule Course Information - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sharetheknowledge.co.nz/lmlc-course-leaders-copy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041607978-Z43IGB0KKVTG8UD5PX0H/IMG_3852.jpg</image:loc>
      <image:title>LM/LC Course Leaders (Copy) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041607987-S1Q77RTPC65N7K5UQIQ6/IMG_3283.jpg</image:loc>
      <image:title>LM/LC Course Leaders (Copy) - Alex McCrossin - Location Scout/Manager</image:title>
      <image:caption>With 25 years Locations Management experience Alex has scouted and managed for just about every kind of crew in just about every kind of place. Having managed for crews of 300 shooting in CBD office blocks to crews of 6 on stoney ridges near Aoraki she has amassed a wealth of experience &amp; techniques across New Zealand and Australia. Starting on her Locations path with Short Film &amp; Drama projects before woking on Large Scale Commercials, Music Videos and even documentaries has shown that the fundamental skills of Location Management of all shoots have some key preparations required... regardless of format or budget. Alex is enthusiastic about the Locations Department and their place in Productions although challenging! Good approaches mean repeat locations &amp; happy sets for local and international teams to shoot at. Alex’s credits include The Book of Revelation (2006), One of Us is Lying (2022) and One Lane Bridge (2020-) Alex will be presenting in both the Location Managers’ and the Location Co-ordinators’ Courses, outlining the processes of logistic meetings, permitting, final prep and what to watch out for on the day.</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041608007-D8HLYV1CD9Q6EEZ6HK8D/philip-turner.jpg</image:loc>
      <image:title>LM/LC Course Leaders (Copy) - Philip Turner - Location Manager</image:title>
      <image:caption>Philip started his working life in Queenstown as a ski bum, thinking it was a worthwhile alternative to further education. Eventually, after a very late and short stint at university, he got a job as (an older) PA on a Japanese TVC. "It was quite different to anything I had done in the past - chaotic and interesting at the same time - and you got paid to eat the most delicious food I had ever seen outside a good restaurant (NZ film caterers are legendary)." Philip decided the locations department was for him. "In theory I would be able to utilise existing skills and take photographs, something I had loved doing as a kid. Roughly 15 years later here I am, still trying to ski, ride a bike or roam the countryside with camera in hand." Philip’s credits include Mulan (2020), Alien: Covenant (2017) and Mission: Impossible - Fallout (2018). Philip will be presenting as part of out Location Managers’ Course, discussing the importance of location lists and scouting photos, going through the differences, how to use online maps, and the importance of managing images.</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Kayleighsha Wharton - Location Manager</image:title>
      <image:caption>I have a range of experience working in the film industry over the last 10years in various departments. During this time I have crewed in technical roles, assistant directing, production, accounts, and more recently focusing on Locations. I started Location Managing NZ Features by saying 'yes' to an assistant role 5 years ago and the opportunities grew from there. Story, people, and problem solving is what I am most passionate about in the film industry. Kayleighsha’s credits include Guns Akimbo (2019), Juniper (2021) and Savage (2020). Kayleighsha will be taking part in both our Location Managers’ an d Location Co-ordinators’ Courses, giving an overview of the department with Alex, taking our participants through how to break down a scriptand discussing how to budget the locations department with Kyrie.</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Clayton Tikao - Location Scout/Manager</image:title>
      <image:caption>Clayton has been involved in the locations department for over 20 years, working on a range of local and international projects to showcase New Zealand's amazing scenery and support the stories being told. Clayton’s credits include Adrift (2018), A Wrinkle in Time (2018) and Pork Pie (2017). Clayton will be presenting as part of our Location Managers’ Course, discussing the Location Manager’s professional relationship with the Director, DoP and Production Designer, how to balance the recces, creative input, meetings and conflict.</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Taulua Moimoi - Location Scout/Manager</image:title>
      <image:caption>Taulua has been working in locations for over 15 years, working on such projects as Sione's Wedding (2006), The New Legends of Monkey (2018-) and Step Dave (2014-15). Taulua will be presenting as part of the Location Managers’ Course, alongside Jen Butcher, discussing the preparations needed for the tech recce, dealing with department demands and creating site maps.</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Rick Waite - Location Scout/Manager</image:title>
      <image:caption>Rick has worked in the locations department for over 10 years, working on such Kiwi staples as Outrageous Fortune (2005-10), Westside (2015-20) and 800 Words (2015-18). Rick will be presenting as part of the Location Managers’ Course, speaking to our participants about the art of negotiating and consultation.</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Jared Connon - Producer</image:title>
      <image:caption>Jared Connon’s career as a filmmaker has spanned over 28 years. For the first two decades he earned a reputation as an internationally renowned Location Manager. Following this, Connon moved into Production Management before stepping up to his current position as Line Producer. Whatever the role, Connon is known for excellence in this high-profile work. Connon was Location Manager on titles such as The Lord of the Rings (trilogy), River Queen, King Kong, 10,000 BC, The Hobbit (trilogy), Ghost in the Shell and The Light Between Oceans among many others. He has Production Management credits on Mortal Engines, Mulan and Da 5 Bloods, and The Lord of the Rings (Amazon TV Series) and most recently on the Ti West directed horror films ‘X' and ‘Pearl’ for A24. Now having formed the production company FIVE FILMS based in New Zealand, he is focussed on creating engaging content for international audiences and collaborating with some of the best filmmakers in the country to bring projects he is passionate about to fruition. His hands on practical production experience and creative drive is what keeps his unique set of skills in such high demand. Jared’s credits include River Queen (2005), King Kong (2005) and Ghost in the Shell (2017), among many more. Jared will be presenting as part of the Location Managers’ Course, discussing what a producer looks for in a location manager, and providing the viewpoint from both sides.</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Kyrie MacTavish - Location Co-ordinator</image:title>
      <image:caption>With over 15 years professional broadcast experience I have gained a lot of practical production knowledge and worked on a variety of ventures from big budget feature films to no money passion projects. I have worked in several countries and enjoy working with people, negotiating, making deals, working to a deadline within a budget, being innovative and creatively solving problems. Credits include: Outlander, Ghost in the Shell, The Changeover, Mission Impossible Fallout, Daffodils, Savage, Guns Akimbo. Kyrie’s credits include Guns Akimbo (2019), Ghost in the Shell (2017) and Mission Impossible - Fallout (2018), among many more. Kyrie will be presenting in both our Location Managers’ and Location Co-ordinators’ Courses, alongside Kayleighsha Wharton, discussing creating and managing the Location Department’s budget.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041608070-H8K5JDCFANGXN034UUGY/Nicola-headshot-768x768.jpg</image:loc>
      <image:title>LM/LC Course Leaders (Copy) - Nicola Bailey - Location Co-ordinator</image:title>
      <image:caption>After graduating from The New Zealand Film School in 2016, Nicola quickly found her niche in the Locations department. She has worked on a number of feature films and TV series including “Daffodils” (2019), “Guns Akimbo” (2019) and TVNZ's “Wellington Paranormal” TV series. Most recently, Nicola Location Managed local feature productions “Cousins” (2020) and Loren Taylor’s “Going, Going” (in Post-Production). Nicola has additional experience in Production and Transport, and has produced two short projects, “One Year On” Directed by Francesca Mackenzie and “Serving” Directed by Karin McCraken. Nicola’s credits include Daffodils (2019), Guns’s Akimbo (2019) and Wellington Paranormal (2018-). Nicola will be one of our main presenters for the Location Co-ordinators’ Course, going over such things as cost reporting, PO’s, trackers, working with the Accounts department and much, much more!</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Jen Butcher - First Assistant Director</image:title>
      <image:caption>Jennifer Butcher (Jen B ) has worked in the New Zealand Screen industry since graduating from The University of Auckland with a Bachelor of Arts Degree in 1995. She has worked on television drama, commercials, documentary reconstructions, short and feature films as well as music clips and live broadcast events. She has been working as a 1st AD since 2000. Jennifer is a past Chair of the Auckland Committee of the Screen Industry Guild Aotearoa NZ, and is a past Guild National Executive Board member. Jennifer has served as an Advisory Board member to Film Auckland. She regularly guest lectures (on the art and science of Assistant Directing) for the Masters program of the University of Auckland Centre for Film, TV &amp; Media Studies, South Seas Film School, and The New Zealand Film Academy. Jen’s credits include Power Rangers (), The Gulf () and The Wilds (). Jen will be presenting in our Location Managers’ Course, along with Taulua, to discuss preparing the Tech Recce, dealing with department demands and requirements, and creating site maps.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041608088-DM6LJK6JDJADXB0APKFM/Amber+Wakefield.jpeg</image:loc>
      <image:title>LM/LC Course Leaders (Copy) - Amber Wakefield - Transport Co-ordinator</image:title>
      <image:caption>With over 17 years of experience in the screen industry, Amber has wide experience in production, transport, and locations on international feature films and dramas. Specialising in large scale logistics, including national company shifts of productions throughout the regions. Amber holds a ‘Certificate of Knowledge of Law and Practices’ showing that she has the required knowledge of the laws and practices relating to the efficient and proper operation of a transport service. This certificate allows Productions to meet their legal requirement of obtaining their Transport Service Licence (TSL). Amber has frequently crossed over between both location and transport coordinating, managing key portfolios such as: budgets, permitting, company shifts, swing drivers, waste disposal, location maps, etc. This crossover has given Amber an extended understanding on the importance of the intertwined relationship between the locations, unit and transport departments. Amber’s history in production management and coordination has provided her with a holistic view of the inner workings of productions. Using this comprehension as a tool to know what/where key areas of information are, and where they need to be communicated for the smooth and successful running of a project. Amber is also the Executive Officer of the New Zealand Cinematographers Society (NZCS) and Executive Officer of Film Auckland Inc. (FAI). Her wide knowledge of the industry and extensive network means she is ideally placed to help pass on her industry knowledge. Amber’s credits include Pete’s Dragon (2016), The Brokenwood Mysteries (2016-17) and Spartacus: Blood and Sand (2013), among many more. Amber will be presenting in both our Location Managers’ and Location Co-ordinators’ Courses, along with David and Reg, to discuss the working relationship of the Unit, Transport and Locations Departments.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041608097-QLXI6UNARJA00PLPA2NR/David+Sa%27ena.jpeg</image:loc>
      <image:title>LM/LC Course Leaders (Copy) - David Sa’ena - Unit Manager</image:title>
      <image:caption>Talofa lava! I have been in the film industry as a Unit &amp; Craft Services Manager for over 20 years now. My role has always been to ensure that everyone, both on and off set are well taken care of… ask anybody! I bring with me exceptional Unit &amp; Craft Services management skills and a team that has real passion and talent for looking after Crew, Cast and Production. David’s credits include Mulan (2020), Daffodils (2019) and A Wrinkle in Time (2018), among many more. David will be presenting in both out Location Managers’ and Location Co-ordinators’ Courses with Amber and Reg, to discuss the working relationship of the Unit, Transport and Locations Departments.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041608106-8FNTLKLYFMPSEP002WK3/dec03+004.jpg</image:loc>
      <image:title>LM/LC Course Leaders (Copy) - Reg Gibson - Transport Captain/Manager</image:title>
      <image:caption>Reg has almost 30 years’ experience in the New Zealand Film Industry.  Working mostly in the Transport Dept area. Reg has moved large scale productions multiple times, with very short lead times.  He has dealt with overseas productions who have little understanding of the New Zealand terrain (sometimes not even knowing that we are 2 islands!)  He is used to working closely with all departments, especially closely with the locations dept. Reg previously owned Bald Eagle Supplies Ltd and currently owns Orini Park Ltd, both supply various vehicles to the film industry.  Reg’s son is currently working as a Transport Manager on a large film production and his Grandson is also working in the Transport dept. Reg’s credits include Pete’s Dragon (2016), Yogi Bear (2010) and The Water Horse (2007), among many others. Reg will be presenting in both our Location Managers’ and Location Coordinators’ Courses, alongside Amber and David, to discuss the working relationship between the Unit, Transport and Locations Departments.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041608116-G5FAFYMZL6HJBNCUJP2X/having_written_safety_plans_for_all_the_winter_fes_4fe026c724.JPG</image:loc>
      <image:title>LM/LC Course Leaders (Copy) - Wayne Allen - Health and Safety Officer</image:title>
      <image:caption>A former ski patroller of 13 years at the Remarkables, Wayne Allen has also worked on reducing hazards for adventure racers in the Southern Traverse. Now, his day job involves working as a safety adviser for film and television crews, a varied job which can see him encounter everything from cars racing down mountains advertising tyres to horses crossing a river. Wayne will be presenting on both our Location Manager and our Location Co-ordinator Course, discussing liaising with the Health and Safety Department, and the impacts that COVID has had on running a set. Wayne’s credits include Top of the Lake (2011), The Hobbit (2010) and Wolverine (2009), among many more.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041608124-GD4PLECV7XZCJFBYV4DP/EmmaSlade2123+b%26w_med+res.jpg</image:loc>
      <image:title>LM/LC Course Leaders (Copy) - Emma Slade - Producer/Line Producer</image:title>
      <image:caption>Emma is in post-production on her next feature NUDE TUESDAY, a NZ/Aust co-production, starring Jackie van Beek (The Breaker Upperers) and Damon Herriman (Judy and Punch). Her recent film, THE JUSTICE OF BUNNY KING starring Essie Davis (The Babadook) and Thomasin McKenzie (Leave No Trace), is currently undergoing it’s theatrical run. Her film COME TO DADDY, an NZ/Irish/Canadian official co-production premiered earlier this year at Tribeca, which also won best director (Ant Timpson) and actor (Elijah Wood) in Toronto After Dark Festival 2019.  She has just commenced shooting her blue-chip documentary feature with David Farrier (Dark Tourist, Tickled). In 2017, her young adult thriller THE CHANGEOVER starring Timothy Spall (Mr Turner) and Melanie Lynskey (The Intervention), was in competition at the Alice Nella Citta.  Earlier that year, INTO THE RAINBOW was the first Chinese/NZ co-production, starring Willow Shields (Hunger Games) and the Brazilian/NZ feature LITTLE SECRET, which was nominated as Brazil’s Oscar entry for Best Foreign Film 2017. Other titles include the Netflix original LETTER FOR THE KING, RAGE, the UK/NZ co-production TRACKER, SEPARATION CITY and BRIDE FLIGHT.  Emma is also a founding member of the Screen Women’s Action Group (SWAG), which began in January 2018 as a local response to the international movements #metoo and TimesUp.  SWAG was driven by their belief that more could be done to address sexual harassment, discrimination and power imbalances in New Zealand’s own screen culture.</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Victoria Dabbs - International Line Producer</image:title>
      <image:caption>Victoria started her production career working on a children’s TV series as a production assistant. She continued to work her way up through the production team to co-ordinate and production manage productions such as Nicolas Winding Refn’s ‘Valhalla Rising’, Peter Mullan’s ‘Neds’ and most recently the BBC’s ‘ABC Murders’ and ‘The Singapore Grip’. From 2012 Victoria has been line producing primarily independent feature films which include Dexter Fletcher’s ‘Sunshine on Leith’, Terence Davies’ ‘Sunset Song’, and in New Zealand Stuart McKenzie and Miranda Harcourt’s ‘The Changeover’ and David Stubbs’ ‘Daffodils’. Over the years Victoria has worked internationally across Europe, Asia and Australasia She has worked with various tax credit schemes and is a Screen Production Grant consultant for the NZ Film Commission as well as experienced in cast and crew contracting, including PACT/Equity in the UK, SAG in the US and the Blue book and SPADA/Equity Agreement.</image:caption>
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      <image:title>LM/LC Course Leaders (Copy) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sharetheknowledge.co.nz/teaching-timetable</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041609892-LFZJLFS4750K322TV612/Compton_Logo_Yellow_Horiz_RGB+copy+2.jpg</image:loc>
      <image:title>PICTURE 2022 Teaching Timetable</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041609906-SYX0UJIJVL70SO76DTGN/Vista+Foundation+logo_RGB+300dpi.png</image:loc>
      <image:title>PICTURE 2022 Teaching Timetable</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041609878-6UPP2AWAKWPJ08G9RZ8X/Logotype_v3_Low+Res+Email+Sig.png</image:loc>
      <image:title>PICTURE 2022 Teaching Timetable</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.sharetheknowledge.co.nz/fprs-course-leaders</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69ae777607852458883f7887/1773041610690-6NB8P8D5TWXS4653W0XR/EmmaSlade2123+b%26w_med+res.jpg</image:loc>
      <image:title>Producer Series #1 - Finance Plan &amp; Recoupment Schedule Course Leaders - Emma Slade - Producer/Line Producer</image:title>
      <image:caption>Emma Slade’s feature THE JUSTICE OF BUNNY KING starring Essie Davis (The Babadook) and Thomasin McKenzie (Jojo Rabbit) had its world premiere at the 2021 Tribeca Film Festival to raving reviews. She is currently delivering the absurd comedy NUDE TUESDAY, a feature starring Jackie van Beek (The Breaker Upperers), Damon Herriman (Mindhunter, Judy&amp;Punch) and Jemaine Clement (Flight of the Conchords), as well as David Farrier’s (Dark Tourist, Tickled) latest feature documentary. Recently, Slade produced COME TO DADDY, an NZ/Irish/Canadian official co-production, which premiered at Tribeca 2019 and after premiering at numerous festivals was released world-wide in 2020. The project won best director (Ant Timpson) and actor (Elijah Wood) at the Toronto After Dark Festival 2019. In 2017, her young adult thriller THE CHANGEOVER starring Timothy Spall (Mr Turner) and Melanie Lynskey (The Intervention), was in competition at the Alice Nella Citta, Venice Film Festival. Earlier that year, Slade produced INTO THE RAINBOW, which was the first Chinese/NZ co-production, starring Willow Shields (Hunger Games) and the Brazilian/NZ feature LITTLE SECRET, which was nominated as Brazil’s Oscar entry for Best Foreign Film 2017. In 2018, Emma co-founded SWAG (Screen Women's Action Group) which in consultation with all screen sector bodies, relevant government departments, and sexual violence organisations is committed to tackling sexual harassment in the New Zealand screen industry. In 2019, Emma co-founded SHARE THE KNOWLEDGE, a training/mentorship programme that supports the growth and sustainability of New Zealand’s Screen Industry by creating meaningful pathways to employment with a focus on being industry led and industry focused. Emma is a producer and the founder of production company Firefly Films. In 2020, Emma along with four other New Zealand producers – Desray Armstrong, Leela Menon, Fraser Brown and Victoria Dabbs set up the TAHI PRODUCTION SERVICES company to service international projects coming into the country. Emma is also a founding member of the Screen Women’s Action Group (SWAG), which began in January 2018 as a local response to the international movements #metoo and TimesUp.  SWAG was driven by their belief that more could be done to address sexual harassment, discrimination and power imbalances in New Zealand’s own screen culture.</image:caption>
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      <image:title>Producer Series #1 - Finance Plan &amp; Recoupment Schedule Course Leaders - Victoria Dabbs - Line Producer/Production Accountant/Producer</image:title>
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